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Santa Mira la guapa

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von Peter Griebel


The project focuses on generating an interior space wich reflects to the character of Baroque churches. the draft is an attempt to redesign Boromini´s San Carlo alla Quattro Fontane. Context, scale and program are close to Boromini´s church and the most important atmospheric artikulation is the interior of the structure. This interior extends towards the exterior wich is shaped by forces different from the inside. This should provide an analogy to the Baroque and it signifies the connection between the inside and the lobotomized outside. both have their own independent appearance. The church should be solid and wireframe at the same time. The density controls the opacity and translucence of the solid geometry. The wireframe is the final layer of the building and in comparison to the Baroque it is like the ornamental layer. The wireframe explodes the solid surfaces intolines which relate to the infinite line of the Baroque. The lines are closed. Theey turn from the inside to the outside and back to the inside. The solid geometry is a product of a rejoining process of of parts of San Carlo alla Quattro Fontane. The typologie of the transformed geometries is based on an analysis of Boromini´s church. The analysis is about bending and compressing the interior themselves and discovering new spaces in these objects. these atmospheric spaces provide the inspiration for the hole project.


model


PROCESS

REMODELLING OF SAN CARLO ALLA QUATTRO FONTANE

BENDING A NEW TYPOLOGY

SANTA MIRA LA GUAPA



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Attribute

Griebel Peter | Ludin Frank, Ender Ursula | E7 | Santa Mira la guapa | CyberBaroque | 07SS |

Bild:CYB peter griebel 011.JPG | a

Fakten zu Santa Mira la guapaRDF-Feed
BetreuerLudin Frank  + und Ender Ursula  +
ImageCYB peter griebel 011.JPG  +
LVE7  +
Semester07SS  +
ThemaCyberBaroque  +
TitelSanta Mira la guapa  +
VerfasserGriebel Peter  +
Zuordnunga  +
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